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COLOUR ANALYSIS: THE 18 SEASONS METHOD AND HOW TO DISCOVER YOUR COLOURS
As a personal stylist, colour is one of the most important parts of my work with my clients. Colour can completely transform how our skin looks in dramatic ways, and I use my colour analysis service to do this for my clients. We work together to discover their seasons, and the colours that they can gravitate towards to help them feel their best whenever they next go shopping. I wanted to share a few insights into the colour analysis method, and help you dip your toe into discovering the colours that best suit you, but of course, if you’d like to have the knowledge of the colours that help you feel most confident, I’d be delighted to help.
As a personal stylist, colour is one of the most important parts of my work with my clients. Colour can completely transform how our skin looks in dramatic ways, and I use my colour analysis service to do this for my clients. We work together to discover their seasons, and the colours that they can gravitate towards to help them feel their best whenever they next go shopping.
Now, when I talk about the “seasons” you may be thinking – well there are just 4, right? Well, there are 4 main seasons and then their underlying notes which in fact makes it 18!
Don’t worry – you don’t have to know all of them, for you, you just need to know which one is the best aligned to your skin tones and therefore the colours that match you best.
I wanted to share a few insights into the colour analysis method, and help you dip your toe into discovering the colours that best suit you, but of course, if you’d like to have the knowledge of the colours that help you feel most confident, I’d be delighted to help.
Let’s dive in!
The four main seasons in a colour analysis
Before we dive deeper into the palette that work best with you, we need to find out the general features that characterize every season, and that you can find in yourself, and your natural colours:
Spring
Springs have a warmer undertone, with bright and light features. They are actually just like spring – bright, varied, and with strong colours working well for them. However, they need to stay clear of muted, dark and colours with cool undertones, as these will take away from their features.
Best metals: yellow gold and rose gold
One of my Spring clients.
Summer
Summers have a cool undertone with soft, and once again light features. Think soft brown or blonde hair, your classic beachy boho tones with cooler features. Colours that work beautifully on summers are pastels, softer tones, and mother-of-pearl shades. Nothing too vivid, harsh, or strong in terms of colours should be worn by Summers as it can wash them out.
Best metals: silver (possible antique) and platinum/white gold
One of my Summer clients.
Autumn
Autumns have deep and warm undertones, and soft contrasts. Think of all the beautiful colours you see in Autumn and these are the tones that work best on this type. Whether it’s deep greens, oranges, or the reds you see as the leaves turn – these colours should be welcomed in your wardrobe, while brighter and cooler colours should be passed by.
Best metals: gold (possibly antique) and copper
One of my Autumn clients.
Winter
Winters have the cooler undertones with deep and bright tones. Winters do not just have lighter skin and bright eyes, they are often with olive skin and dark hair, but the contrasting features are the most obvious to spot when it comes to winters. Colours that work beautifully on winters are bright icy greens, blues, blacks and even many shades of pink, from fuchsia to sorbet pink. You can also step towards the wintery colours of deep purple and emerald green.
Best metals: silver and white gold
One of my Winter clients.
The 18 sub-seasons of a colour analysis
Now we know the 4 main seasons we use for a colour analysis we can jump even deeper into the undertones we have.
Let’s be honest – we all have a range of skin tones, hair and eye colours, and therefore, putting us into just 4 options is restrictive. That’s why we have more options to help me discover the truly perfect matches for my clients.
The way I do this is through using the subgroups of each season:
· Spring: Light, Warm or True, Bright
· Summer: Light, Cool or True, Soft
· Autumn: Deep, Warm or True, Soft
· Winter: Deep, Cool or True, Bright
So while three different people may all belong to the same season, they might have different colourings, different level of contrasts and hue. Think of Jodie Foster, Emily Blunt and Kate Winslet, all summers but with different palettes. And this happens with all the 4 seasons, and these sub-seasons help us discover the specific palettes that will be the most appropriate for your skin tones, which is not just clothes, it includes accessories, make-up, hair colour (should you wish to change it!), and jewellery.
Now this way we have 12 main groups of colours. Then why do I say I work with 18 seasons? Now things get really complicated, I know. the thing is, while (based on my experience) the majority of people fit in one specific sub-season, others can have a mix of features (ie. Warm skin undertone but cool eyes and hair, or warm hair but cool eyes and skin undertone) or a predominance of one particular characteristic (i.e “warm”) that place them in between two seasons. These are so-called “neutrals”, and they can be:
Spring/Summer (or Summer/Spring)
Summer/Autumn (or Autumn/Summer)
Autumn/Winter (or Winter/Autumn)
Winter/Spring (or Spring/Winter)
Autumn/Spring (or Spring/Autumn)
Winter/Summer (or Summer/Winter)
Why is that? There can be varied reasons: some people can inherit a mix of features from parents/family members and have in them a balanced mix of those, which provides them with a wider range of opportunities in terms of which colours suit them; others can experience a transitional phase due to ageing, when hair naturally change, as well as the skin and the eye colours (getting softer), and this makes them shift from a brighter season (for instance) to a softer one.
It truly is transformative – and while I would say that because I love my job – it is always so wonderful to hear from my clients when they see the transformations in front of them, saving themselves wasted money on shopping trips with clothes they just don’t suit, and make-up that they love to put on.
Colour can bring us joy, change our mood, and as you can see, transform how we shine! I hope this insight into what goes into a colour analysis and the depth we go to so you can discover your best colours was beneficial! If you’d like to know more or book your own colour clinic, I’d love to help.
EVENTS: THE POWER OF COLOUR
"the best colour in the world is the colour that looks good on you" C.Chanel
Yesterday, Thursday the 12th, there have been a workshop organized by Stefania Bartolomei, about the colour as powerful styling tool!
Of all the styling tools, colour is maybe the most underestimated, yet it has the great power to affect not only our look but also our mood.
As the right colour can, in fact, confer us a healthy look, enhancing our features, making our eyes shine bright and our skin looks like porcelain, so the wrong colour can wash us out, highlighting the eye circles and the skin flaws. We perceive the effects that colours have on us, but most of the time we are not aware of it and we think that the causes of our look, whether it is good or not, are entirely of physical and mental status nature.
Being conscious of what our best colours are can really have an effect on our attitude. as I always say : when you look good, you feel good! And when you feel good, you have more self confidence, so you can be successful and get what you are aiming to, that in the social life as well as in business.
Let's go deeper now into the technical side of the workshop and its subject.
As you probably know, one of the services that Stefania offers to her clients is the colour analysis; the seasonal color analysis (to be precise) is a scientific way to determine's people best colours.
As in nature, the seasonal colour analysis is based on the 4 seasons : spring, summer, autumn and winter.
These seasons recall the colours that we can find in nature, from spring, with its bright, powerful and warm colours , that become softer and lighter in summer, to autumn, with everything getting warmer and deeper, to the winter, with its crispy and sharp colours and its high contrasts.
The colour drapes, used for the colour analysis, recall the properties of the seasons in nature, reproducing the same general characteristics.
The same characteristics can then be found in our own features. So, generally speaking, people with light soft coloring would most likely belong to summer, while people with dark colours and high contrasts in their features would most likely belong to winter.
But it is not easy to recognize all this values in ourselves and there can be also exceptions. So it must be clear that this are general rules and that the only way to build up our palette of best colours, in the end, is to have a professional colour analysis.
During the workshop Stefania shown the effect of the colours on our features, whether they are good or wrong, explaining how to recognize our features through 3 values:
temperature (warm vs cold)
brightness (soft vs bright)
light (light vs dark)
giving eventually practical examples on how to make the most of our colours through the use not only of clothes but also of accessories, make-up and hair colour choices.
At the end of She also did a funny "celebrity game", where people were called to guess the properties, and so the season, of some star, among which Lucy-Liu, Amy Adams, Cate Blanchett, Julia Roberts and so on... this was lot of fun!
The workshop has been a great success! The atmosphere was cozy and nice and seen the great enthusiasm shown by the public Stefania will surely plan another one very soon!
In the meantime, if you want to find out more about the subject and discover what is your season and what are your best colours book your session with Stefania writing at stefania@oneofastyle.com
Special thanks go to : Veronika Damiani for the make-up of the models; Laura & Kim for being my models.