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COLOUR ANALYSIS: THE 18 SEASONS METHOD AND HOW TO DISCOVER YOUR COLOURS

As a personal stylist, colour is one of the most important parts of my work with my clients. Colour can completely transform how our skin looks in dramatic ways, and I use my colour analysis service to do this for my clients. We work together to discover their seasons, and the colours that they can gravitate towards to help them feel their best whenever they next go shopping. I wanted to share a few insights into the colour analysis method, and help you dip your toe into discovering the colours that best suit you, but of course, if you’d like to have the knowledge of the colours that help you feel most confident, I’d be delighted to help.

As a personal stylist, colour is one of the most important parts of my work with my clients. Colour can completely transform how our skin looks in dramatic ways, and I use my colour analysis service to do this for my clients. We work together to discover their seasons, and the colours that they can gravitate towards to help them feel their best whenever they next go shopping.

Now, when I talk about the “seasons” you may be thinking – well there are just 4, right? Well, there are 4 main seasons and then their underlying notes which in fact makes it 18!

Don’t worry – you don’t have to know all of them, for you, you just need to know which one is the best aligned to your skin tones and therefore the colours that match you best.

I wanted to share a few insights into the colour analysis method, and help you dip your toe into discovering the colours that best suit you, but of course, if you’d like to have the knowledge of the colours that help you feel most confident, I’d be delighted to help.

Let’s dive in!

The four main seasons in a colour analysis

Before we dive deeper into the palette that work best with you, we need to find out the general features that characterize every season, and that you can find in yourself, and your natural colours:

Spring

Springs have a warmer undertone, with bright and light features. They are actually just like spring – bright, varied, and with strong colours working well for them. However, they need to stay clear of muted, dark and colours with cool undertones, as these will take away from their features.

Best metals: yellow gold and rose gold

One of my Spring clients.

Springs in the colour wheel for fashion

Summer

Summers have a cool undertone with soft, and once again light features. Think soft brown or blonde hair, your classic beachy boho tones with cooler features. Colours that work beautifully on summers are pastels, softer tones, and mother-of-pearl shades. Nothing too vivid, harsh, or strong in terms of colours should be worn by Summers as it can wash them out.

Best metals: silver (possible antique) and platinum/white gold

One of my Summer clients.

Summer tones for colour analysis

Autumn

Autumns have deep and warm undertones, and soft contrasts. Think of all the beautiful colours you see in Autumn and these are the tones that work best on this type. Whether it’s deep greens, oranges, or the reds you see as the leaves turn – these colours should be welcomed in your wardrobe, while brighter and cooler colours should be passed by.

Best metals: gold (possibly antique) and copper

One of my Autumn clients.

Winter 

Winters have the cooler undertones with deep and bright tones. Winters do not just have lighter skin and bright eyes, they are often with olive skin and dark hair, but the contrasting features are the most obvious to spot when it comes to winters. Colours that work beautifully on winters are bright icy greens, blues, blacks and even many shades of pink, from fuchsia to sorbet pink. You can also step towards the wintery colours of deep purple and emerald green.

Best metals: silver and white gold

 One of my Winter clients.

Winter skin tones

The 18 sub-seasons of a colour analysis

Now we know the 4 main seasons we use for a colour analysis we can jump even deeper into the undertones we have.

Let’s be honest – we all have a range of skin tones, hair and eye colours, and therefore, putting us into just 4 options is restrictive. That’s why we have more options to help me discover the truly perfect matches for my clients.

The way I do this is through using the subgroups of each season:

·       Spring: Light, Warm or True, Bright

·       Summer: Light, Cool or True, Soft

·       Autumn: Deep, Warm or True, Soft

·       Winter: Deep, Cool or True, Bright

So while three different people may all belong to the same season, they might have different colourings, different level of contrasts and hue. Think of Jodie Foster, Emily Blunt and Kate Winslet, all summers but with different palettes. And this happens with all the 4 seasons, and these sub-seasons help us discover the specific palettes that will be the most appropriate for your skin tones, which is not just clothes, it includes accessories, make-up, hair colour (should you wish to change it!), and jewellery.

Now this way we have 12 main groups of colours. Then why do I say I work with 18 seasons? Now things get really complicated, I know. the thing is, while (based on my experience) the majority of people fit in one specific sub-season, others can have a mix of features (ie. Warm skin undertone but cool eyes and hair, or warm hair but cool eyes and skin undertone) or a predominance of one particular characteristic (i.e “warm”) that place them in between two seasons. These are so-called “neutrals”, and they can be:

  • Spring/Summer (or Summer/Spring)

  • Summer/Autumn (or Autumn/Summer)

  • Autumn/Winter (or Winter/Autumn)

  • Winter/Spring (or Spring/Winter)

  • Autumn/Spring (or Spring/Autumn)

  • Winter/Summer (or Summer/Winter)

Why is that? There can be varied reasons: some people can inherit a mix of features from parents/family members and have in them a balanced mix of those, which provides them with a wider range of opportunities in terms of which colours suit them; others can experience a transitional phase due to ageing, when hair naturally change, as well as the skin and the eye colours (getting softer), and this makes them shift from a brighter season (for instance) to a softer one.

It truly is transformative – and while I would say that because I love my job – it is always so wonderful to hear from my clients when they see the transformations in front of them, saving themselves wasted money on shopping trips with clothes they just don’t suit, and make-up that they love to put on.

Colour can bring us joy, change our mood, and as you can see, transform how we shine! I hope this insight into what goes into a colour analysis and the depth we go to so you can discover your best colours was beneficial! If you’d like to know more or book your own colour clinic, I’d love to help.

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